The case Apocalypto:
An open letter to all who call themselves movie critics.
 


This is to all of you people that have reviewed Mel Gibson’s new film Apocalypto (with sadly few exceptions).

No matter giving the film positive or negative reviews, you called it “over-the-top violent”, “ultra-violent”, “hard to sit through”, “the most violent film [you] have ever seen”, “bloodthirsty”, “a waste of Smucker’s raspberry sauce”, “gruesome”, even “The Hills Have Eyes in the jungle”, “a big load of sado”, or “sadistic”.
Boy, I wish there would be a chance to watch that film together with only one of you, and you explain your review to me. That would be a sight.
 

I went to see Apocalypto, and I was really kind of anxious right before it got started, preparing myself for all the shocking violence. So it began, the first act passed, the village raid took off, and I waited for the blood, the gore, for the “incredible brutality”. Then the raid came to an end, and I found myself scratching my head. Actually, I can’t remember one single drop of blood being spilled, until Jaguar Paw’s father gets his throat cut. Which you don’t really see; it’s a way less graphic scene compared to a similar event in Braveheart.

On it went, with the journey to the great Maya city. No violence here. And then – finally – the sacrificial scene. I grabbed the arm of my seat. Prepared myself. For … nothing. All you see is a heart in the hand of the priest. That’s it. I can’t imagine a way to show this proceeding less bloody than Gibson did here. Hell, a similar scene in Indy Jones and the Temple of Doom is a lot more gruesome than this. Speaking of which, you bet that Spielberg or Ridley Scott would have shown much less mercy with the audience if they would have tackled that subject matter (which they wouldn’t, because they don’t have the guts – no disrespect to their remarkable abilities as filmmakers). Oh, right, and heads are chopped off. On screen? Not really.

This was pretty much the point from which on I hardly could enjoy the film anymore because I couldn’t stop shaking my head about all that crazy stuff you wrote about this film. And the final chase sequences didn’t change that at all. There are one, two moments that made me think “Ouch, that must have hurt”, but nothing shocking or spectacularly gruesome in any sense. 

So, what is going here? How can you write such things? I guess it all comes down to four possibilities: 

1. You have never seen a film before.

2. I have seen a completely different film.

3. You people completely lost your minds.

4. You’re just f****** liars.

The first two being extremely unlikely, we’re left with the latter two, and either one strikes me as right out frightening.

Let’s assume that most of you are in an acceptable state of mental health, as difficult as it may be. So you lie. A fact that in most cases is hard to deny (unless you want to go back to possibilities 1 to 3). You’re trying to ride on this wave The Passion of the Christ set loose, taking that last impression Gibson made on his audience, and hope that people will believe your claims in respect to his last film. Very clever.

Now the question is, why?

You don’t like Gibson? Angry at him for what he did in the past? Don’t think he should still be working, or – Heaven forbid – be successful? You know what, I was wrong, the reason is not the question here. What is important is the result. Whatever the reasons, there is only one conclusion I can make, and I actually can’t believe I’m writing this, it sounds crazy, but I can find no other explanation, as everything points to the worst case of defamation I have ever witnessed in this business. 

Whatever Mel Gibson has said, whatever kind of man he is, I don’t want to change your view of him – I really couldn’t care less – but what you did with your reactions is not only far beyond anything the word “pathetic” can describe, but indeed far worse than anything Gibson has ever done in his life, and if there are people who have a right to judge this man, you certainly don’t belong to them. 

It is not my intention to defend the man Mel Gibson, and it’s not about whether people like his film or not. The important thing is that people don’t let themselves be scared off by your scandalous reports, that they go and get their own opinion, and open their eyes to this incredible injustice that is happening here.  
The film is violent. It’s (partly) an action film. And if people want to see men hugging each other to death, they will certainly look elsewhere. But In terms of violence, Apocalypto doesn’t even come close to the portrayal in The Passion of the Christ, and is also far away from Braveheart. And everybody who as seen one or two action films before won’t find anything overly brutal or shocking here. Did you really believe people will stay away from the film and never find that out for themselves?

Here’s kudos to those of you who went the whole way and completely trashed the film; at least you’re not hiding behind an otherwise good review in case there’s indeed someone who watches the film and realizes what crap you wrote. Think someone ever gonna read your reviews again? 

So in the end, Apocalypto indeed transcends whatever goal it is trying to achieve as a film, by revealing the true and ugly characters of many people who live under the misconception that what they have to say is of any importance.

Call me Michael.